Friday, December 6, 2024

My QuiltCon Submission (and Rejection!) / Beauties Pageant 274

I am a sucker for a good quilt challenge. There are projects I never would have developed without a formal challenge encouraging me to focus on a particular palette, block, or theme. My favorite such events are those hosted by the Modern Quilt Guild for display at QuiltCon.

The MQG usually releases the details of two challenges during the summer, when my creativity and productivity are low, low, low. The result is a harried fall, when I try to get a project or two over the finish line before QuiltCon submissions close. It’s not an ideal schedule, and because of that, there are many years I don’t sew anything for submission.

What you see pictured here is Folk Heart, the quilt I made for this year’s Ruby and Bee challenge. Tara Faughnan chose the six colors, and participants had to use at least three of them in a quilt top.

I spent a long time spinning my wheels with these fabrics. At one point, I was determined to work with applique, figured out how I could create a particular design, and then abandoned the idea. 

For me, the key was to stop thinking about shape and home in on the palette. Once I decided to place red hearts on a black background, it was easy to imagine them in off-set columns of chunky half log cabins with misplaced cornerstones.

I quilted Folk Heart with a big X and then echoed the quilting lines in each quadrant of that X. I finished by hand quilting one color in each block. The picture below shows some orchid cross-stitches and blue running stitches. Elsewhere in the quilt, there are little Vs on some of the red hearts and diagonal running stitches on some of the black backgrounds, among other embroidery motifs.

Although I didn’t set out to create a project that reflects my Pennsylvania upbringing, I think Folk Heart does just that. The juxtaposition of so much blue and black reminds me of Amish attire, and the hearts are reminiscent of Pennsylvania Dutch folk art. 

Unfortunately, Folk Heart was not juried into the show. I know a lot of people were discouraged by their rejection emails. Honestly, I would have been more surprised if Folk Heart had been accepted. There’s a QuiltCon aesthetic, and this isn’t it!

I realize that, as time goes on and I delve deeper into pattern design and sales, the less modern I’ve become. I still love big blocks, negative space, new takes on old classics, but it’s a spectrum and I’ve inched away from the modern design that initially captured my quilty heart all those years ago.

I usually encourage people whose projects aren’t accepted to submit the next year, but I’m convinced QuiltCon isn’t the right venue for Folk Heart and will save myself the application fee. : )

Do you ever submit to shows? It’s not really my thing, but it sure is fun to attend an event and see my work on display!


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Friday, November 22, 2024

Ornament Collection Pattern Release / Beauties Pageant 273

Ornament Collection, the design I’ve been talking about the past few weeks, is done, and I’ve released the pattern out into the world!

Instructions include two projects that are appropriate for confident beginners and above: a large throw-size quilt and a table runner. If your weekend sewing plans are open, you can start your project today and have a quilt top finished before the turkey is on the table next Thursday. (If you don’t celebrate American Thanksgiving, the turkey is optional but recommended.)

This pattern is especially suited to those of you who want to ...

* Sew a big quilt fast—the throw finishes at 70" x 73.5"



* Use leftover squares from a layer cake—the runner requires just five squares 10" x 10"



* Maximize your precuts—you can sew two throws and two runners with a single layer cake (although fat quarters work, too!)



* Celebrate the holidays by making big, bold blocks—the ball blocks finish at 13.5" x 14.5", and the bauble blocks finish at 8.5" x 14.5"

For my first Ornament Collection project, pictured at the top of the post, I opened up a layer cake of Twas by Jill Howarth for Riley Blake. The red, green, and pink palette is the perfect complement to the vintage vibe of Twas.

My next version, which I am in the process of piecing now, incorporates prints from Rifle Paper Co.’s holiday lines for Cotton and Steel. I’m using another light background with this second quilt because it’s more in line with my personal aesthetic .... and a cream or a white doesn’t show the Golden Retriever hair the way a dark background would! I love nontraditional Christmas palettes, and the pale blue and orangey-red I am using will change things up nicely ...

A green background would be equally fabulous, though, and drive home the idea that these are ornaments hanging on the tree. Here is the throw mocked up with Cozy Wonderland by Fancy That Design House for Moda ...

I am very pleased with how my first Ornament Collection came out. I received some expert advice about quilting options for my second version and will share that in a future post! Until then, this is my favorite finish for November, so I am linking up over at Quilting Jet Girl!


All PDF Patterns 25% Off

To celebrate the release of Ornament Collection, all PDF patterns (excluding the Almost Free for Charity patterns) are 25% off through 11/30/2024. No code required. This is my Black Friday sale—snag your good buys now!

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Friday, November 15, 2024

Let's Talk Table Runners / Beauties Pageant 272

In the 10-plus years I’ve been quilting, I have made a total of three table runners. On one hand, I have limited places in my house I’d display a runner. My children (and/or dogs) may do bad things to a table runner (there was an applesauce incident on the kitchen table just this past week!). And putting covers on my pretty table tops doesn’t seem really “me.”

On the other, if I made more runners, I would have more-frequent finishes, and wouldn’t that be nice?

When designing my Ornament Collection pattern (releasing next Tuesday, November 19), I added a runner option. The sample I’ve made so far is the throw, and it’s a generously sized throw at that. But I figured that some people might want a smaller, faster finish. What I didn’t consider until Anne (@batiksbythebay) mentioned it to me on Instagram is that people who live in the southern hemisphere celebrate Christmas in the summer. They have little need for a Christmas-themed throw. Of course! Why didn’t I consider that? Needless to say, all future Christmas designs from me will include the option of a smaller finish for that very reason.

Me with a freshly longarmed Ornament Collection. Picture and quilting by Ophelia Chang.

Because I am a runner newbie, however, I had to ask Anne how she would orient the ornaments in a runner.

Should they all be right side up (as I would prefer on a runner displayed on a console placed against a wall)?

Or should the baubles be upside down (as I would prefer on a runner displayed on a kitchen island)?

Anne said both, and that’s what I’ll do. : )

So, what other runners have I made up to this point?

There was the runner I made for the sideboard in my dining room (and still resides there).

There was the runner I made from Modern Plus Sign Quilts and gifted to a friend.

And then there was the runner I made from a free pattern on Moda Bake Shop and gifted to another friend.

You knew this was coming ... I am soliciting any and all thoughts on quilted runners. Do you sew them? Do you display them? What are your thoughts on the issue of orientation? Thank you in advance!

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Friday, November 8, 2024

New Christmas Pattern on the Horizon! / Beauties Pageant 271


I am always on the lookout for quilt patterns that give especially beautiful prints the spotlight they deserve. It was the reason I designed Pretty in Pluses back in 2021: I loved the large-scale flowers in Anna Maria Horner’s Hindsight line and couldn’t bear to chop them into little pieces, so I created a venue for them to shine. Other versions of the quilt followed, including the pattern’s cover quilt in Heather Ross’s Far, Far Away 2 collection for Windham ...

When it came time to sew with a stashed layer cake of Jill Howarth’s Twas collection for Riley Blake, I knew I wanted to design something special for all those sweet novelty prints. What you see pictured in this post is the beginning of that new pattern. I’m calling it Ornament Collection, a nod to the tradition my mom started with me and my sister (and I’ve continued with my two boys) of marking each holiday season with a new ball or bauble for the Christmas tree.

This quilty collection contains two different ornament designs. You see the ball blocks in this post. There are also bauble blocks. Both block designs were specifically created to work with layer cake squares, but you could just as easily cut the centers of your ornaments from fat quarters (or scraps—but more on that later!).

These blocks are big, friends! And all you need for a generously sized throw quilt is 15 layer cake squares or 8 fat quarters.

This first version isn’t finished, yet I already have a second one—in Rifle Paper Co. prints—in the works. I can’t wait to share more! 

Are you a fan of seasonal sewing? I don’t expect to gift many handmade items this year. If I wrap up a quilt or two in the next six weeks, I’ll be a happy quilter!

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Friday, October 25, 2024

A Little Panic Sewing / Beauties Pageant 270

Most autumns, I do a certain amount of panic sewing. No, I am not creating Halloween- or fall-themed quilts. I am not getting a leg up on my handmade Christmas gifts. I am joining other QuiltCon hopefuls and finishing up projects to submit to the show before the October 31 deadline.

Here’s the thing: I am not a show quilter. That’s not a judgment on my artisanship—it’s being honest about my approach to quilting. Most of what I sew as a pattern designer is created to be replicated by others and doesn’t reflect the QuiltCon aesthetic. I am solidly JV when it comes to QuiltCon, and that’s fine with me.

Then why submit at all? Because is an absolute thrill to attend QuiltCon and see my work hanging with the others! And I find the challenges especially inspiring—they get me creating things I wouldn’t have made otherwise. (The problem with the challenges is that they tend to be announced over the summer, when my productivity is minimal at best, and I can’t really get going with them until my kids are back in school. Hence the frantic sewing in September and October.)

Some of my project have shown at past QuiltCons (read a recap here). Will this year’s submission? Maybe! In a moment of clarity I abandoned the notion of submitting a quilt to the transparency challenge—I don’t have adequate time—so I will submit just one quilt, to the Windham Ruby and Bee Fabric challenge. I used all six colors in the palette selected by Tara Faughnan. After straight-line quilting the piece on my domestic, I added some chunky hand quilting. There are some sneak peeks of the quilting detail in this post.

Are you also susceptible to QuiltCon panic sewing? If so, I wish you the best of luck! I’d love to see your work—and mine—in Phoenix next February.

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Friday, October 18, 2024

'Tis the Season for Stashing / Beauties Pageant 269

My recent book-writing experience effectively curbed my desire to buy fabric. Back in the fall of 2023, I selected all the fabric for that collection of patterns, and Moda sent me two huge boxes of jelly rolls and yardage for tops, backs, and bindings. Opening and unpacking those boxes was the most fun I had had since being a kid on Christmas morning!

For many months that followed, I couldn’t justify buying new fabric. I simply didn’t need it, and I was busy sewing my book samples. Now that the book is done (to be released in April 2025), some too-good-to-pass-up sales and an upcoming pattern release have had me online and adding selection after selection to my cart. 

First up: the Moda prints at the top of the post. Last weekend, Lamb and Loom Fabrics offered a mystery backing for $10. I love a good mystery purchase, and 4 yards for $10 was an unbelievable price. I bought half-yard cuts of various prints from Fancy That Design House and Ruby Star Society and, when I received the package, was super pleased to find a design from Aneela Hoey as my mystery backing. After admiring these new fabrics, I stashed them for a time when inspiration strikes in the future.

Then I placed an order for Rifle Paper designs at Hawthorne Supply. Rifle Paper has produced three different holiday collections over the years. I bought my favorites and will pair them with four different solids—I’m thinking dark green, light green, red, and pink—for a pattern slated to release next month. To be honest, I already had a layer cake on hand to make this particular pattern, but it’s going to be such a quick sew that I think I can bang out two of them for pattern promoting and holiday giving.

What’s the stashing scene in your sewing room? Are you chipping away at the fabric you already own or have your sights on some new additions?

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Friday, October 11, 2024

Cluck Cluck Sew's Kitty Cats / Beauties Pageant 268

Nothing brings me more satisfaction than getting a low-priority project off the WIP pile and over the finish line, and this week’s post does not disappoint. There’s no gift-giving opportunity on the horizon. I don’t have a recipient in mind. But when I find myself in need of a cat-adorned quilt, I now have this beauty at the ready ...

The design is Kitty Cats from Allison Harris of Cluck Cluck Sew, and it was a delight to piece! I had purchased several half-yards of different Riley Blake prints a year or two ago. Kitty Cats, which calls for fat quarters, put those selections to good use, leaving me with extra fabric to put toward my Pineberry quilt (yet another WIP).

I used more stashed fabric on the back because that’s how I roll ...

My only regret (Future Michelle, please take note!) is that I didn’t have more variety in color and design in my fabrics. The repeated prints and colorways made it difficult to spread the colors evenly throughout the quilt top.



Allison Harris is one of my favorite pattern designers. Her patterns are simple without being simplistic, and they’re a joy to follow. If you’re a Cluck Cluck Sew fan as I am, I’d love to hear which patterns you’ve sewn and to see your finishes (even if they’re old ones!) in the linky below!

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Friday, October 4, 2024

Camille Roskelley's Patchwork Sky Pattern / Beauties Pageant 267

Years ago, my mom got me a fat quarter bundle of Nova, by Basic Grey, for my birthday. I bought some yardage to go along with it and slowly started chipping away at the mountain of prints in teal, rose, and navy. The first project I completed with Nova was Irish Twist, my own take on a traditional Irish chain quilt ...

Then I cut two additional throw-size quilts: Basic Grey’s Stolen Kisses and Camille Roskelley’s Patchwork Sky. The first one is not pieced at all (like, not even a little bit). The second quilt, however, is this week’s finish ...

Patchwork Sky checks so many boxes for me. I love the big, bold stars that seem to fall off the edges of the quilt and the swaths of 2-inch (finished) squares. The pattern instructions call for a jelly roll and a strip-piecing technique to assemble the 16 patches that fall between the stars. Because I had fat quarters, yardage, and scraps, I cut my own 2.5-inch strips and squares. I am a sucker for quilty math, so I was happy to play with my calculator if it meant busting through all that fabric. 

My first Nova project went directly to the longarmer for a swirly pantograph treatment. I thought Patchwork Sky, on the other hand, would benefit from the straight-line quilting I could accomplish on my own. Those straight lines, I think, make the quilt that much more modern.

You know I love a good jelly roll pattern, and Patchwork Sky is one I may revisit in the future. : )

 

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