Friday, May 29, 2026

Technique: How I Sew a Web and Save Time / Beauties Pageant 332

If there’s anything I’ve learned over the 13 years I’ve been quilting it’s this: What works for me works, and I see no reason to change my approach to cutting/piecing/pressing/quilting if it gets me the results I am looking for. But boy, have I been proven wrong recently!

When I am piecing blocks, it’s easy for me to lose focus just long enough to second-guess whether I’ve accidentally mixed up the pieces. To avoid confusion, I often resort to taking in-process pictures. That way, I have something to confirm that I am on the right track.

I recently tried the web-piecing technique I first heard quilters talk about at least a decade ago. (This is not the one where you use a thin piece of interfacing. I gave that technique a whirl years ago in this post.) With the web-piecing technique, I can keep my fabric—and brain!—in order without the need for pictures.

If you’ve never tried this technique, now is your opportunity! Here are the basic steps:

1. Lay out your patchwork block.

I used this technique on a 36-patch that I am sewing for the Falling Stars sew-along that has been released for Modern Quilt Guild members. (See my previous posts about this quilt top here and here.) 

I have seen some quilters use this approach for assembling an entire quilt, when all the blocks have been assembled and are being sewn together. I think that would be cumbersome. I prefer to use it at the block-piecing stage.

2. Sew the first two columns together without cutting the thread in between units. After the last second-column piece is sewn on, cut the thread.

I know it’s impossible to see on my white background, but in the picture below, the first two columns are now all connected. The four columns on the right have yet to be added to them.


3. Sew the third-column pieces onto the second-column pieces without cutting the thread in between units. After the last third-column piece is sewn on, cut the thread.

The result is that the unit on the left, below, has grown by another column. 


4. Continue sewing in this manner until all the pieces have been sewn.

The nice thing is that I often find myself stopping at this spot. Because all the pieces are connected in the correct order, it is easy to pick up the block again at a later date and continue sewing.

5.  Press adjacent rows in opposite directions, and sew them together.

This technique is not 100% foolproof, but it’s pretty close. I think I made 3 mistakes while sewing my 27.5 blocks and was able to remedy them before sewing the rows together. 

A few additional thoughts on this technique ...

  • I found myself increasing the slack between units. Instead of chain-piecing one unit close to the next, I gave myself about a half-inch of thread, which provided some needed wiggle room when pressing the rows in opposing directions. It also helped in the final step—pressing the horizontal seams in the finished block—because I pressed those seams open.
  • When I, say, ran out of bobbin, I would often resew over the last few stitches of the previous piece before picking up where I left off, just to keep things connected and orderly. 
  • With these 36-patches, after everything was connected, I sewed the top 3 rows together and then the bottom 3 rows together. Then I sewed the top to the bottom. I wouldn’t bother doing that with a smaller block, but it helped in a block like this one with so many pieces.

If this is a new-to-you technique and you give it a try, let me know how it goes! 

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  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
  • Point your readers back here with a text link or use the button above.
  • Visit and comment on other participants’ finishes.

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Friday, May 22, 2026

Take That, Scrap Bin! / Beauties Pageant 331

I am making good progress on my scrappy Falling Stars. I am even—ahem!—ahead of the sew-along schedule.

I’m past the halfway point of making blocks and couldn’t resist throwing some of them on my design board, just to appreciate the effect created by all that value play.

It’s pretty fabulous, right? What’s so much fun about scrappy projects is appreciating the overall quilt top and then getting really close and seeing the small parts that make it up. Take a look at these ...


 

There are so many low-volume prints in the background. Really, that’s what instigated me to embark on this project: I have a small drawer full of low-volume scraps, and this project decimated it. I managed to squeak out enough black prints to fulfill the pattern’s requirements, but I did have to purchase some of the brown-grays. And of course, cutting into them creates—you guessed it!—more scraps. Blerg!

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The pageant rules are simple:
  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
  • Point your readers back here with a text link or use the button above.
  • Visit and comment on other participants’ finishes.

You are invited to the Inlinkz link party!

Click here to enter

Friday, May 8, 2026

I'm In! Falling Stars Sew-Along / Beauties Pageant 330

April proved to be a time of RPI: rapid project initiation. This phenomenon had nothing to do with me and my weakness for the thrill of a new fabric pull. It had everything to do with the limited brick-and-mortars in my area.

This bout of RPI all started with my next crafty production-line obsession: drawstring bags. Two friends swear by their heat presses for speeding up the interfacing process, and I was intrigued. After investigating buying a commercial heat press secondhand, I placed an order for a more-compact new unit.

What did I do while I waited for the heat press? I started Stara—that colorful project from a few weeks ago. Once I discovered its issues with shadowing, however, I had to place an order for new background fabric.

What did I do while I waited for the heat press and new fabric? I started Falling Stars, the current sew-along from the Modern Quilt Guild (MQG). 

Falling Stars is a fun sew: It’s all about 2.5-inch squares and half-square triangles (HSTs), and requires an eye for value. I used the opportunity to bust through my low-volume scraps, pairing those mostly white and off-white fabrics with blacks and grays from my stash.


At first blush, the block seems humble enough. Once you pair two together, however, you can see the magic at work ...

If you’re an MQG member and considering joining, it’s not too late (learn more here). And I have some advice for you: I’ve been streamlining the cutting and piecing processes with great success. First, instead of making two-at-a-time HSTs per the pattern instructions, I used the HST die on my Accuquilt Go. This means I’ll be sewing bias edges, but still, I won’t have to trim anything—and I’d take bias edges over trimming any day. If you don’t have an Accuquilt Go, may I suggest making a friend who does?

I am also using the web-piecing method. Although I first heard of this technique a decade ago, I only recently tried it out. This is not the technique where you use a thin layer of interfacing to lay out and sew a block together. It’s the one where you chain-piece the first-column pieces to the second-column pieces, cut the thread, chain-piece the third-column pieces to those units, cut the thread, and continue until all the pieces are attached. (Then, that’s the point where you press and sew the rows together.) As a gal who has a habit of zoning out for just long enough to mix up the order of a patchwork block, I’m sold on the web-piecing approach. 

I know the linky focuses on finishes, but I want to hear about your new projects, too. What have you started up recently?

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The pageant rules are simple:
  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
  • Point your readers back here with a text link or use the button above.
  • Visit and comment on other participants’ finishes.

You are invited to the Inlinkz link party!

Click here to enter