Tuesday, January 2, 2018

Past, Present, Future

Now that the crafty deadlines of November and December have passed, I can do anything I want on my sewing machine. Anything. I could make a bag or finish a WIP. I could start a brand-new quilting project. That should feel empowering, but it feels a little overwhelming and I’m not sure where to start.

I thought I’d participate in Meadow Mist Designs’ Best of 2017 Linky Party as a way to review my sewing accomplishments of the past year and provide myself firmer footing to plan the next few months. (Could this also be a procrastination ploy, avoiding making any concrete decisions about future craftiness by looking at past projects? Why yes, yes it could be.)

Without further ado, here is an overview of From Bolt to Beauty 2017 in five “most” posts ...

Most Trafficked Post


The most popular post of 2017, according to log reports, is actually not from 2017. It’s my Ridiculously Easy Jelly Roll Quilt tutorial, which was published back in November 2015. I attribute the phenomenon to all the pins and links that point to that post and the allure of a title like Ridiculously Easy Jelly Roll Quilt. I think of a lot of you are like me, suckers for a thick roll of 2.5-inch strips and attracted to the notion of an easy sew! (My follow-up to that tutorial—my Still Pretty Simple Jelly Roll Quilt tutorial—has been on the back burner for months. It will have its day in the sun sometime in early 2018!)


Most Noteworthy Finish—According to You

My most popular finish, both here on the blog and on my Instagram feed, was Grape Fizz. It’s a showstopping design by Amy Garro that I rendered in shades of eggplant and lavender. I’m not the connoiseur of purple that some of you are, but this design is so bold and graphic in its purple-osity that I can see why it was so well received. To see more pics, including close-ups of Mary Gregory’s quilting, read the post.


Most Noteworthy Finish—According to Me

I love Grape Fizz, but I also really love my Ode to Art Gallery quilt. It was fun to play with all of those different prints and see them come together, with the help of navy plus signs, in a cohesive quilt top. I gifted the quilt just recently, and the recipient was elated. I don’t know much about her design sense, but I felt good about sending it off with her. The quilt is modern but not too modern. It has a lot of some colors and a lot of other colors, as well. It’s pretty and feminine, and I like gifting pretty and feminine quilts to friends who are like me, the lone lady in the house. 


Most Triumphant Sewing Feat

Hands down, the technical sewing I was most proud of this year is all the Y-seams I sewed! These appeared first in my Happy Hexie Baby Quilt. I’ve since sewn more, in a yet-to-be-unveiled project. (To learn more about my approach, see “How I Machine-Piece Hexagons” under the Techniques tab.)


Most Triumphant Quilting Feat

I tried two fancy-for-me quilting techniques this past year, both from Jacquie Gering’s book Walk. The first one, an orange peel design, went well but left a lot of room for improvement. The second, a cross-hatch with a secondary diamond pattern, however, rocked my world. It was a super fun experience with my walking foot and worth every stitch.


Do any of those “mosts” resonate with you? If you have a noteworthy finish or quilting feat or other “most” you’d like to share, the rest of us would like to celebrate with you!

Linking up to Needle and Thread Thursday and Finish It Up Friday ...

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Sunday, December 31, 2017

Lessons from Christmas 2017

At From Bolt to Beauty world headquarters, Christmas 2017 lingers. The tree is still up and decorated. Toys litter the living room floor. It’s an appropriate time to look back at the events of the past month—the holiday fairs and parties and shopping—and admit it: I botched it all up! I thought I took on a manageable number of holiday activities, but I ended up committing myself to too much.

Case in point: two Christmas tree quilts. I was so proud of myself, back in November, when I came to the realization I wouldn’t have time to quilt either of them before Christmas. I sent both projects off to a longarmer, which meant I was on the hook for binding only. Bind them I did—finally!—on December 23.

The first quilt is for my family to keep. I used it to chip away at my red and green stash, buying just a little yardage to flesh out the fabric pull.


The beauty of this tree block, designed by Amy Smart of Diary of a Quilter, is that it works with small-scale prints as well as large ones. Before this project, I had no idea what to do with the green and white Trellis print from Heather Bailey’s Up Parasol collection (pictured in tree on right, below), but it works perfectly here. I love how it reads as a lower-volume green without being a light green.


This quilt reminds me that I can veer from my palette on the back of a quilt. The main print on the back, from Anna Maria Horner’s Field Study line, wouldn’t have worked on the quilt top. It has too much cream in it (I used mostly white on the front), and the green is too different. Paired with the three leftover tree blocks and the same cherry red used on the top, however, the AMH print allows the back to both work well in its own right and complement the design on the other side.


The quilting, done by Lisa Teichmann of Garden Gate Quilting, is perfect for this project. The easy-breezy orange peels look ornament-like against the Christmas-tree backdrop.


After finishing piecing the first Christmas tree quilt, I moved on to a second! Whereas the first one focused on cherry reds and grassy greens, the second incorporated pinker reds and yellow-greens. (I get a kick out of seeing the same design rendered in different palettes like that.)


The Bonnie and Camille print from April Showers inspired the palette. It’s not a Christmas fabric, but the red flowers remind me of poinsettias and I like the gray it introduces into the palette.


The back features more Bonnie and Camille. As with most of my quilt backs, I cut a length of fabric vertically and filled it out with a columns of scraps to make a back that would accommodate the size of the top. (More on that approach to piecing backs can be found under the Techniques tab.)


Christmas 2017 was a happy one. We were all healthy, so all of our plans (mostly) went off without a hitch. But binding quilts two days before the holiday was for the birds. If it weren’t for all the other stuff I was doing—the quilted ornaments and belated-birthday sewing and guild commitments—two binding projects would have been doable. Let’s hope I can hold on to these lessons for the next 12 months and make the holiday season of 2018 saner!

How did you hold up over the holidays? Were you crafting at the 11th hour?!

Linking up to Finish It Up Friday, Main Crush Monday, Let’s Bee Social, and Needle and Thread Thursday ...

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Monday, December 18, 2017

What to Do with a Mini-Charm Pack

I am a lover of precuts—jelly rolls, charm packs, and layer cakes all have their place in my stash and in my heart. I like having a cross-section of certain fabric collections, and buying precuts is less expensive than investing in fat quarters or yardage of an entire line.

Each kind of precut has its advantages and disadvantages, but I think mini-charm packs—sets of 2.5-inch squares—are the least practical. There’s only so much you can do with those tiny pieces of fabric. When I received a mini-charm pack of Kate Spain’s Voyage at my guild’s fall retreat, courtesy of Moda Fabrics, I knew I would have to put those squares to good use right away, lest they wither away unused in my stash, so I challenged the other retreat-goers to sew something with their packs and present their creations at the December guild meeting.

I decided to make an En Pointe Bag, from Kairle Oak’s tutorial on Moda Bake Shop, which proved to be a cute bag and enjoyable sew.

The colors in Voyage are gorgeous!

Everything for this project came from my stash, including the Essex Linen exterior, Lotta Jansdotter lining, and Denyse Schmidt binding.

The interior of the En Pointe Bag features a single pocket.


A binding along the top gives the bag a clean finish. No turning required!

Note to my future self: If you make this pattern again, remember you veered from the instructions a bit. That is, you interfaced the patchwork panel, pressing it lightly with your iron just enough that the interfacing would fuse. This technique worked well and gave the final project the body you were looking for!

The bag is interfaced, which gives it great structure.

The other participants in the challenge came up with different project ideas. One person made a reversible bracelet. Another designed some baskets. Others made everything from potholders to mini-quilts. It was fun to see how we each took the same little bundle of squares in our own direction.

If you are the owner of an unused mini-charm pack, I ventured into the From Bolt to Beauty archives to find other projects you could tackle with your precuts.

Earlier this year, I made ornaments from a mini-charm pack of Basic Grey’s Juniper Berry ...


And back in 2015, I followed a free pattern from the Fat Quarter Shop to make this runner. (The instructions call for mini-charm packs, but you need so many of them that cutting up a charm pack will yield all the printed squares you need for the runner size. I used scraps for my version.)


Do you have other recommendations for using up a mini-charm pack? It’s only a matter of time before I have another in my stash!


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