Friday, September 12, 2025

Five Little Ghosts QAL: Week 0 / Beauties Pageant 307

*View this content on YouTube here*

Welcome to what I am calling “week 0” of the Five Little Ghosts quilt-along! This week, we’re not doing any cutting or sewing. Instead, we’ll be talking about the fabric pull for both the runner and the quilt versions.

If this is news to you, I’ll bring you up to speed ...

Five Little Ghosts appears in my book, Not-Your-Typical Jelly Roll Quilts. It’s a fast and easy sew. I appreciate options, though—and I thought you might, too. So if you’d like to make something bigger, I designed a throw-size quilt with the same block. The directions for supersizing the Five Little Ghosts pattern are available free in my store (although you’ll need a copy of Not-Your-Typical Jelly Roll Quilts whether you sew the runner or the throw).

The full schedule for the quilt-along appears at the end of this post. No registration is required. Prizes will be announced next Friday, September 19, and the only thing you need to do to enter is sew a single bootiful ghost. Winners will be randomly selected at the end of the quilt-along, on October 31.

Now that you’re in the know, let’s get into the details of assembling a fabric pull for our projects ... 

If you’re sewing the runner, you likely have all the fabric you already need.

The original Five Little Ghosts pattern calls for five jelly roll strips for the ghosts, a background fabric, and some scraps for the creatures’ eyes and mouths. That’s what I love about it: You probably already have all the fabric you need!

For my ghosts, I used some floral white-on-white jelly roll strips that were left over from the other samples I had sewn for the book. I really love those prints because they’re a little unexpected. Here are these little ghosts trying to be spooky, but they’re made with pretty fabric, rendering them more sweet than scary.


Don’t have leftover jelly roll strips? Cut from yardage or fat quarters.

As described on page 9 of Not-Your-Typical Jelly Roll Quilts, two 2.5-inch strips from a fat quarter equal, inch for inch, a jelly roll strip. Depending on how the pattern at hand cuts jelly roll strips, sometimes you’ll need a third cut from a fat quarter, but that’s not the case with Five Little Ghosts. Just start by cutting the longer pieces first. For this pattern, that’s a rectangle 2 inches by 8 inches.

Don’t have any Halloween fabric? Think beyond orange and black.

I always encourage quilters to consider the fabric they have before buying more (although buying fabric is so much fun!). So even if you don’t own any Halloween fabric, you may have just what you need for a Five Little Ghosts project. 

For example, consider the fat quarters from Modern Background Paper, pictured on the right below, by Zen Chic for Moda. I think these low-volume options would look cute as ghosts. 

There’s more going on visually with the set of jelly roll strips on the left, from Bountiful Blooms by Sherri and Chelsea, who also design for Moda. Even though the strips feature some darker colors, I think they would work well as the ghosts, especially if you paired them with a solid background to create more of an autumnal feel than a spooky ghost feel. 


Expand a fabric collection with prints from the designers other lines, and use the two-colorway idea.

The throw project differs from the runner in that it uses jelly roll strips for the ghosts and fat quarters for the backgrounds. I’m going to sew the throw with the purples and pinks from Lella Boutique’s Hey Boo line.

In Not-Your-Typical Jelly Roll Quilts, I talk about different ways to supplement a jelly roll (see page 10). But those guidelines really pertain to any fabric collection. For example, if I need to add more of a particular color to a fabric line, I turn to the designer’s other collections. That’s the case below. The pink heart print is from a different Lella Boutique line, but it’s still a close match to the hot pink boo fabric. I think I will cut a background or two from it for my project.

That pink heart print does double-duty because I am going to use the same print in a different colorway—a white-on-white—for the ghosts. Repeating an outside print in more than one colorway is a simple but effective way to create cohesion when you are adding it to a collection. 

It’s worth noting that I am cutting the ghosts for my project from yardage instead of jelly roll strips. I know that defeats the purpose—after all, my entire book is designed for jelly rolls! But it’s what I have on hand, and it will look great in my throw-size quilt. If you are considering cutting your ghosts from a single swath of yardage as I am, you will need 1.5 yards of fabric. I'll talk more about cutting in next Friday’s installment of the quilt-along. : )

I hope this post helps you as you play with fabric choices for your project. If you have questions, let me know—either by commenting below or tagging me in Instagram posts.

 

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Friday, September 5, 2025

My Newfound Fondness for Halloween / Beauties Pageant 306

Let’s get something straight: I am not a Halloween kind of girl. In fact, the last time I donned a costume was 27 years ago, in 1998.* 

Sure, I’ve handed out candy to neighborhood kids. I’ve oohed and aahed over little ones dressed as Tigger and Thomas the Tank Engine and Spider Man. Now that I have two teenagers, though, I would like to spend every October 31 at home and under a quilt—no jacket, flashlight, or treat bag required.

Slowly over the past few years, however, cute Halloween has taken hold of my heart, and I find myself—gasp!—excited for the holiday. 

I’m sure a lot of that has to do with Five Little Ghosts, one of the patterns from Not-Your-Typical Jelly Roll Quilts and the focus of my first quilt-along from the book. This project is quick and easy, and I’d bet you have what you need to sew it without buying a thing.

What’s better than a project featuring 5 silly ghosts, though? A throw quilt that features 20 of them! So when the QAL launches next week, I will include a free download that I’m calling Five Little Ghosts and Friends ...

Whereas the original runner-size project was written for jelly roll strips, this expansion pack was written for jelly roll strips and fat quarters. 

I am working ahead of schedule on my QAL project and sewing my little ghosts with selections from Hey Boo, a 2024 collection from Lella Boutique. (If you’re looking for the same collection, I had good luck at Handmade is Heartmade.)

If you have a copy of Not-Your-Typical Jelly Roll Quilts, I hope you’ll consider joining me in sewing some ghosts! I have YouTube videos planned and am lining up a selection of quilty prizes (to enter, you will only need to finish a single ghost block). More details are in the image below and on the QAL landing page.

* I dressed as the Prudential building in Boston for a 1998 Halloween party. It was not a fun costume. Pro tip: When dressing up for Halloween, steer clear of architecture!


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Friday, August 29, 2025

Alex Anderson, Ricky Tims, and Me! / Beauties Pageant 305

Quilty friends, do I have a story for you ... I am going to be featured on The Quilt Show! (No one is more surprised about this than I am!) 

Last weekend, I traveled to Kentucky to meet Alex Anderson, Ricky Tims, and their amazing crew to tape multiple segments. We talked about my start with quilting, binding techniques, and of course, jelly rolls. It was a blast!

At one time, The Quilt Show taped in a studio and in front of a live audience, but the team now sets up shop at different locations across the US twice a year to film several months of show segments. So last Friday, I flew to Louisville and went straight to the venue with a suitcase full of quilts.

I wasn’t expecting to spend so much time on set before the crew would shoot with me, but it was helpful to see how things worked before it was my turn. Plus, I got to meet some of the other quilters who were also filming interviews and demos. The lineup included:

Audrey Esarey. If you have been to QuiltCon in the past few years, you know Audrey and her radial series. It was fun to see the team shoot her interview and demos.

Pat Sturtzel. A quilter and art therapist, Pat’s projects have brought communities together through fabric and art.

Judith Phelps. Judith’s expertise is thread painting. It was a luxury to see her art up close and in person.

Carol Ann McCandless. Carol’s longarming skillls have taken her on wild adventures, including orchestrating the creation of huge quilt installations in Nashville.

Nina Clotfelter. A multi-talented quilter, Nina travels far and wide teaching everything from free-motion quilting to English paper piecing.

Amazing, right? Meeting these talented artists sent my usual level of imposter syndrome to new heights. When it was my turn, though, and Alex and Ricky focused on my work, I was met with a humbling level of interest and admiration. In fact, the whole team behind The Quilt Show is fabulous, and it was hard to leave that little work family at the end of Saturday.

My show will not air until 2026. When I know more specifics, you will be the first to know! 

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  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
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  • Visit and comment on other participants’ finishes.

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Friday, August 15, 2025

The Five Little Ghosts Quilt-Along! / Beauties Pageant 304

You’re invited! This fall, we’ll be sewing a project from the pages of Not-Your-Typical Jelly Roll Quilts together. Meet Five Little Ghosts, a cute pattern to sew with friends and jump-start your seasonal sewing.

This runner is a fast sew, and you likely already have all the fabric you need in your stash and scraps. If you’re looking for a bigger Halloween-themed project, however, this quilt-along will include a free expansion pack to transform your Five Little Ghosts table runner into a Five Little Ghosts and Friends throw quilt. (Click here for the expansion pack!)

There will be YouTube videos, giveaways, and a small army of quilters to cheer you on!

The Schedule

Fabric Pull (Week 0): Blog post and YouTube video

Cutting (Week 1): Sept. 19, 2025

Sewing Ghost Blocks (Week 2): Sept. 26, 2025

Sewing More Ghost Blocks (Week 3): Oct. 3, 2025

Assembling the Top (Week 4): Oct. 10, 2025

Halloween Parade of Blocks and Tops: Oct. 17-Oct. 31, 2025

What to Join the Fun? 

This quilt-along is free to participate. To sew the pattern, though, you will need a copy of Not-Your-Typical Jelly Roll Quilts (available in quilt shops, online retailers, and my own pattern shop and Etsy storefront).

Weekly posts will appear each Friday in three places:

* On the From Bolt to Beauty blog 

* In the From Bolt to Beauty newsletter

* In the brand-new From Bolt to Beauty Patterns group on Facebook

I hope you’ll sew with us!

  

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The pageant rules are simple:
  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
  • Point your readers back here with a text link or use the button above.
  • Visit and comment on other participants’ finishes.

You are invited to the Inlinkz link party!

Click here to enter

Friday, August 8, 2025

Ornament Collection Quilt / Beauties Pageant 303


When I learned that one of my sisters-in-law likes Rifle Paper Co’s designs, I took it as an opportunity to—ahem!—buy some fabric. I chose selections from multiple lines to curate a collection of wintery scenes, Nutcracker motifs, and Christmas decorations. 



The oversize baubles and balls in my Ornament Collection quilt pattern were the perfect venue for these prints. I loved using big swaths of the fabrics to feature the sweet designs instead of cutting them into tiny bits. 

And I am smitten with the palette. There were so many colors in the fabrics to choose from. I homed in on grayish blue, orangey red, apple green, and forest green. I am a sucker for nontraditional holiday palettes!

My friend Ophelia gave this project her special panto treatment with a swirly holly-and-berry design, and I found the perfect striped fabric for the binding, one that plays off the grayish blue in the ornament frames. I hope I can get my hands on more of it because I have a bunch of fabric leftover, and naturally, I’m planning on a near-identical Ornament Collection for my other sister-in-law, who is also a fan of Rifle Paper. : )

We’re less than five months out from Christmas ... Is anyone else sewing now for the holidays?!
 

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  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
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Friday, August 1, 2025

I'm a Polyester Kind of Gal / Beauties Pageant 302

I don’t think much about thread. I’ve been buying the same brand and same weight for years, taking for granted that I could get what I wanted easily and for a fair price. How does the old saying go? If it ain’t broke, don’t fix it.

Then I heard news that Joann was closing 500 retail locations. So long, reliable, ubiquitous source of thread! Suddenly, I was open to other options. When Superior Threads offered to send me a few products to try out earlier this year, I jumped at the opportunity.*

So Fine!

One product I played around with is So Fine!, a 50-weight polyester product. I prefer polyester products because they make my machine happy. I sew on a Janome 1600P-QC, a super-fast straight-stitch machine, and she likes polyester. That preference is most apparent during free-motion quilting. For those projects, I often experience fraying and breakage with cotton thread, but polyester works without issues.

I’ve been exclusively piecing and quilting with 40-weight polyester thread for years and years, and I was skeptical of a 50-weight option. (Remember, the smaller the number, the thicker the thread. In other words, a 40-weight thread is thicker than a 50-weight thread.) I really liked it with piecing--the thinner thread made a difference! It wasn’t a night-and-day change, but I noticed that my pieces ironed flatter. 

I also quilted with So Fine! In the past, I’ve argued that a thicker thread is more forgiving, hiding the wobbles of my straight-line quilting better than a thinner thread. I sewed my latest Fire Truck Quilt with Sew Fine! in a pale gray (without marking a single line, I might add), and everything turned out beautifully. Go figure!

Sew Sassy 

The one exception to my long-held polyester-only rule was when I finished bindings by hand. For that, I’ve employed 12-weight cotton thread, and it has worked fine. I was surprised, then, when Sew Sassy, a three-ply 12-weight polyester thread was easier to use. 

With a cotton thread, I have to make sure I don’t cut off a piece longer than 15 or 16 inches: The more the thread is pulled through a quilt sandwich, the more likely the plies will loosen. That wasn’t an issue with the polyester. The integrity of the thread held up despite its travels in and out of the binding of my Windmill Weave project

I won’t toss my old cotton 12-weight, but from here on out, I’ll purchase polyester.

 

Metallic

I also requested a gold metallic thread. (How very un-Michelle of me!) When I went to QuiltCon 2025, there was a special exhibit of work from keynote speaker Tara Faughnan, and I was surprised to see occasional quilting lines of metallic gold thread in multiple pieces. I haven’t found the right project for the spool I have on hand, but you’ll be the first to hear about it when I do.

Are there any other polyester fans out there? I’d love to hear your thoughts on when you use different weights. Tell us all about it in the comments! 

* Please note: I received these product free. This post contains my own, unbiased opinion about them.

 

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  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
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Friday, July 25, 2025

On Gifting Quilts / Beauties Pageant 301

Over the years, people have inquired about whether I sell my finished quilts. As a policy, I don’t. I choose to gift them to friends and family instead, because it seems like the safer bet. I’d much rather pass my projects on to recipients I know and who are more likely to enjoy them and appreciate my work.

For years, then, the life cycle of my quilts was simple: I would make whatever brought me joy and then decided on a home for a project. This was a fine approach, but in retrospect, there were times when a gifted quilt seemed to fall flat. Maybe the design or palette wasn’t to the recipient’s liking? (That’s understandable, especially with my, at times, limited knowledge of the person’s taste.) Maybe she just wasn’t into having a handmade quilt in her decor? (No judgment! Such people do exist!) 

So I’ve honed my approach. Now I like to accumulate several finished quilts and then ask the recipient to pick her favorite. 

It works! Perhaps the person doesn’t get the sense that this quilt was specifically crafted for her in mind, but she leaves with a useful piece of art that, for whatever reason, speaks to her.

And that’s the process I followed recently to gift eight finished throw-size quilts to teachers who worked with my younger son through middle school.  

I have a friend who follows a similar process with family. She lays out her quilts at a family reunion, and everyone can pick a favorite or two. I conducted my process over email, contacting a few recipients with pictures of my finishes and asking them to pick a quilt before weeding out pictures of the claimed quilts and reaching out to the next small group.

It feels good to gift a quilt, and it feels even better knowing that I’ve increased the likelihood that the quilt will be used and loved by giving the recipient a say in the process.

Pictured here is one of the quilts I passed on to its forever home in the latest round of gifting. The design is Step Dance, from Not-Your-Typical Jelly Roll Quilts, and it’s a prototype I made years ago, well before I had even decided to write the book.

This project is so old that I have to plumb the depths of my memory (and email folders!) to dig up the details. The fabric is Ava Kate by Carina Gardner for Riley Blake, and Narda Junda of Maz Q’s Sewing and Quilting Studio quilted it for me in a fabulous swirly pantograph. 

(You can see the version I sewed for the book, in a collection by Sweetwater, here.)

The black in this line caught my attention—I love a fabric collection with some unexpected black in it! The striped print was an especially effective addition to the quilt design, because it accentuates the idea of ascending stairs and helped me settle on a name for the pattern.

I was working with a fat quarter bundle for this project and used as much of it as I could, even piecing the leftover blue bits together to make a scrappy binding.

What do you do with your finished projects? Do you, too, pass them on to family and friends? Do you enjoy the thrill of selling them online or at craft fairs? Or do you fold them up and put them in a closet, a dilemma to solve another day? 

 

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  • Point your readers back here with a text link or use the button above.
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Friday, July 18, 2025

Kitchen Table Quilting's Fire Truck Quilt, Again/ Beauties Pageant 300

That dazed look on my face? That’s a sure sign of summer. I’ve been driving kids around, prepping for road trips, and keeping everyone busy. It’s starting to feel as if I’m not having a summer … Summer is having me! 



It’s a minor miracle, then, that I have a finish to share. This is the Fire Truck Quilt from a free tutorial by Erica Jackman of Kitchen Table Quilting. I made it for a very special one-year-old. I hope he loves it!

Before you balk at the idea of sewing a pixelated quilt, with all its little pieces and seams, this project was fun and surprisingly fast. In fact, this is the second Fire Truck quilt I’ve made over the years. (See the first one here.

What makes this quilt worthy of a second go-round? Aside from the fact that it’s crazy cute, it’s a fabulous venue for busting through scraps. I counted 24 different reds in this project, all of which came from my scrap bin or hoard of red fat quarters. 

Amassing the required number of red squares wasn’t challenging, but assembling the grays were. My stash contains brownish grays and purpley grays and grays with green undertones. I homed in on the shade of gray that was the most prevalent and ran with it, even breaking open a jelly roll and cutting the strips into 2.5-inch squares to meet the necessary number.

The piecing went faster with this second version. Because the design has so few colors, I was able to mindlessly chain-piece the reds and grays into chunks of four squares. From there, I would lay out a section of the quilt and sew it before moving on to the next. 

I pressed my seams to one side for this project. Naive Past Michelle thought she was doing herself a favor by pressing everything open in an effort to produce a flat and easy-to-quilt top. Present Michelle had no time for such foolishness! Pressing to the side allowed me to nest my seams, which made the process go faster and resulted in a top that was just as easy to quilt. 

I was glad I didn’t wait until the top was finished before selecting a backing fabric. I found the most perfect print for the back from On the Go by Stacy Iest Hsu and was able to steer the palette—especially the colors in the windshield—to coordinate. 

How is the summer going for you? Are you finding the time to sew or out and about, enjoying all that the season has to offer? (Friends in the southern hemisphere, I’d love to hear from you, too!)   

 

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The pageant rules are simple:
  • Post your finish in the linky tool. (No links to your own giveaway or linky, please!)
  • Point your readers back here with a text link or use the button above.
  • Visit and comment on other participants’ finishes.

You are invited to the Inlinkz link party!

Click here to enter