No designer does Christmas fabrics like Brigitte Heitland of Basic Grey. In the past I’ve sewn multiple projects with the design house’s her Evergreen and 25th and Pine collections, so it’s little wonder that I busted through my ample supply of Juniper Berry to create yet another Basic Grey Christmas project.
At the top of the post is Chalet #2, the foil to a quilt I finished back in May, pictured below. Whereas my original version was built around a darker background, this latest one uses my more typical light background and—wow!—does it make the fabrics pop.
I adjusted my approach to Chalet #2 in ways other than the palette. I added a thin border around the perimeter to protect all of my points, I sewed the trees to look less scrappy, and I used a bold, contrasting binding. That’s not to say I don’t love the original; these projects are just two quilts made with the same fabrics and the same pattern that are, in the end, rather different. (By the way, the Chalet quilt pattern is by Kate Spain and available here, on her website.)
The easy-to-overlook hero in both quilts is the tone-on-tone gray polka dot that serves as background and binding to Chalet #1 and rooftops and tree trunks to Chalet #2. It’s from Riley Blake, and I finished the bolt my local quilt shop had in stock. : )
This project was quilted by Seventh Heaven Quilting in a panto I have had my eye on for years. It’s Ginger Snap by Urban Elementz, and its soft swirls make the perfect complement to this pattern’s sharp lines and angles.
You know that if I encounter that Riley Blake polka dot in a quilt shop, I will have to buy some for my stash. That was my approach to another great basic—Zen Chic’s own take on polka dots, which I used here and here and which will be rereleased this fall as part of the Quotations collection. Yahoo!
It seems silly to get excited about simple prints, but I suspect you can relate. Is there a basic you have invested in again and again?
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